“Provides a view into where creative improvisation is heading in this new century.”

-- Frank Rubolino, All About Jazz, August 2003

“Formidable . . . alchemical . . . dense and intricate. Shifts quickly from spacious, textured soundscapes to veritable explosions of noise.”

-- Susanna Bolle, The Weekly Dig (Boston), July 2003

“Bleeds through the barriers that separate so-called jazz and so-called classical music.”

-- Ken Waxman, Jazz Weekly, February 15, 2003

“An intricate hubbub . . . gripping . . . [with] piano phrasing, scales, and contrasting dynamics that recall Stravinsky and Ludoslawski.”

-- François Couture, All-Music Guide, August 2003

“An extreme interpretation of the piano trio, offering lyrical melodies layered over brittle electrical distortion and the harmonics of drum and cymbals.”

-- Robyn Wise, New Langton Arts (San Francisco)

“A new language of magical improv . . . closer to New Music or modern classical than to jazz. These guys are gifted improvisers.”

--Bruce Gallanter, Downtown Music Gallery (NYC), on Twenty Minutes in Brooklyn, 5-4-2003